Private Art Education
  • Home
  • Services
    • Join the club
    • Museums
    • Private Tuition
    • Artist Guide
  • Whats on
  • History Blog
  • Calendar
  • Membership
  • Contact
    • Contact form and quote
    • Members’ registration form
    • Vacancies
  • Amsterdam Art Weekend
  • Press
  • Gallery

The Baroque Series: The Carracci.

8/9/2016

0 Comments

 
The Carracci were a Bolognese family of artists that played an instrumental role in bringing forth the art movement known as the Baroque. Brothers Annibale (1560–1609) and Agostino (1557–1602) along with their cousin Ludovico (1555–1619) worked collaboratively on art works and art theories pertaining to the Baroque style.
Picture
Annibale Carracci 'Quo Vadis, Domine’ at The National Gallery, London. This incident is not described in the New Testament and is rarely depicted in painting. According to tradition, during the persecutions under Nero, Saint Peter fled from Rome and on the Appian Way encountered a vision of Christ bearing his Cross. In answer to Saint Peter's question 'Lord, where are you going?', Christ replied that he was going to Rome to be crucified a second time. Saint Peter himself then returned to Rome, where he was later martyred. This painting was commissioned by Cardinal Pietro Aldobrandini, who rewarded the artist with a gold chain. It is recorded as being in the Aldobrandini Collection in 1603.
The Carracci was equally important in their influence on the development of Italian painting as Caravaggio. They were responsible for founding in Bologna and Rome the school which was known first as the Accademia del Naturale and later as the Accademia del Naturale and later as the Academia deli Incamminati, and which at one time conformed to the ideals of the Baroque and the Counter Reformation.
If unlike Caravaggio they hardly exerted revolutionary influences, it must also be remembered that the charge of eclecticism in this school which was the verdict of old-fashioned criticism can no longer be accepted. The Carracci went beyond mere virtuosity to express lively, intimate sentiments, inspired by a genuine, fresh religious faith. Lodovico Carracci certainly did not forget Correggio's Venetian naturalism and sensuality but he gave these qualities the dramatic force and action which marked the dividing line between Baroque and Mannerist painting. Of the three Carracci, Ludovico remained specially close to the spirit of the Counter Reformation. His seriousness, his ever-apparent carefulness, and his emphatic style are all evident in the Madonna of the Scalzi, in the Martyrdom of St Ursula (both in the Pinacoteca, Bologna), and in the Christ and the Canaanite Woman (Brera, Milan) Annibale Carracci first appeared in Rome in I 604, when he started the decoration of the gallery of the Palazzo Farnese, the first important chapter in the history of Baroque painting. Narrative and imagination are the keynotes of his mood, and his poetic feeling has been compared with that of Tasso's Aminta, because of his spontaneous passion for nature. With him, too, the spectacular becomes pastoral. Agostino Carracci, nearest to him in age, was no more than an interpreter: the creator of the grand style of the Palazzo Farnese was Annibale Allegoricalsubjects, such as the war between divine love and earthly love, were simply an excuse for Annibale for imbuing everything with the vigour of nature. Ariadne, Bacchus, Mercury are real creatures, warm and passionate, surrounded by bands of putti who run about on earth and fly in the heavens to symbolise the perpetuity of human life. Of Annibale's paintings, it is sufficient to mention the charming Flight into Egypt (Doria Pamphili Gallery Rome), in which the sacred story takes on human interest in the way the Virgin turns back towards St Joseph, while the buildings in the background, bathed in the light of the setting sun, give way to lush green fields and trees. The influence of the Carracci was enormous, even more widespread than that of Caravaggio, and it was in Emilia above all that the trend con- tinued. Bartolomeo Schedoni renewed the interest in composition, stressing the imitative gestures of the main figures. Guido Reni (1575-1642) presented a much wider variety of interest and output. He was a great portraitist, as in the superb portrait of his mother (Pinacoteca, Bologna but he preferred more ambitious themes. In Hippomenes and Atalanta (Capodimonte Museum, Naples) Baroque painting perfected the shape diagonal composition in the glow of a magic light. After painting what was probably too many devotional subjects during the course of his life, Guido Reni, in his late period, discovered a new mastery, and softened his outlines with delicate touches of light. Domenico Zampieri I 164 I), known as Domenichino, was a great and captivating landscapist, but he introduced a more scholastic note to his altarpieces. Another pupil of Lodovico Carracci, Francesco Barbieri known as Guercino also painted complicated sacred compositions, but showed himself to be a master of decorative work in his Aurora on the ceiling of the Casino Ludovisi in Rome. In the art of Emilia in the 17th century the Bibiena family Ferdinando, Francesco and, in the 18th century, Carlo stands in a class of its own. Scene painters, masters of architectural trompe l'oeil, and inventors of stage machinery, they served the Farnese family at Parma and Piacenza in preparing revels and 
spectacles.

Source: THE GOLDEN HISTORY OF ART, Gina Pischel,  The National Gallery website, Scottish National Gallery website, The Fine Art Museum of San Fransisco website.
Picture
Ludovico Carracci, The Transfiguration About 1588 - 1590 SCOTTISH NATIONAL GALLERY This painting illustrates the mystical episode described in three of the gospels when Christ demonstrated his divine nature to his disciples Peter, James and John. On a remote mountain he was transformed, appearing in a vision conversing with the Old Testament prophets Moses and Elijah, his face radiating light and his clothes dazzling white. The stunned apostles lie prostrate on the ground in complicated poses. Painted around 1588, this is a typically spiritual work from the early maturity of Lodovico Carracci, who with his younger cousins Agostino and Annibale had founded a highly influential artists’ academy in their native Bologna earlier that decade.
Picture
Ecce Homo, after a painting by Correggio (National Gallery, London) Engraver: Agostino Carracci, 1587. After: Correggio, The Fine Art Museum of San Fransisco. Agostina Carracci was born in Bologna 1557, died Parma 1602. Originally a goldsmith, studied printmaking with Domenico Tibaldi, and was the first of the 3 Carracci to become a printmaker. Also worked with Passarotti and Prospero Fontana. Worked in Venice and Florence but mostly in Bologna. Went to Rome 1594 for Farnese, then to Parma 1600 where he died in 1602. Christ with bound hands wearing a crown of thorns appearing on a balcony with a soldier, man in a turban, and women.
0 Comments



Leave a Reply.

    Archives

    February 2018
    May 2017
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    February 2016
    January 2016

      Subscribe for blog articles:

    Subscribe to Newsletter

Testimonials

Picture

Visited together:
Vienna greatest museums;
National Gallery, London;
​V&A, London

Natalia Sokolova,
“Private Art Education guide naturally guided me into the world of art.. Her passion and inner energy brings inspiration and generates curiosity .. Her profound knowledge on artists and directions brought answers to all my questions... Hidden details of artists' visualizations.. Deep truth behind the obvious.. I simply love and enjoy the museum tours with Hanna.. Already looking forward to the next one in Wallace Collection"
Picture

 Visited together:
 Royal Academy of Arts,
 From Monet to Matisse,   Painting Modern Garden exhibition preview

Judi Piggott,
"Thank you, my private guide today to the Royal Academy of Arts London, she was highly thorough and very informative, at the end of our 2hour tour I was pleasantly educated about Monet, Manet, Matisse and the rest! Am looking forward to my next arty tour with Hanna!"
Picture

​ Visited together:
 Private view of
 Opera Gallery in Dubai International Financial Center, UAE

Ziad Boikli,
​"Art is not only talent, knowledge and experience, it must be with passion as well , and that’s exactly what Private Art Education guides have."
Picture

Visited together:
The National Gallery, London
The Golden Age of Venetian Art

Niels van der Velden,
"Although I have always been interested in art, the private art tours with Hanna have really increased my enthusiasm for art. I think it is her passion and extensive knowledge that made me feel this way.  I wholeheartedly recommend the Private Art Education membership program. Thank you."
Picture

​Visited together:
The Wallace Collection,
Masterpiece and LAPADA art fairs,
Commercial London galleries 

Julia Bethwaite,
"My husband and I enjoyed very much a private tour at the Wallace Collection, guided by Private Art Education. Besides it being a truly educative experience, we really had fun! Hanna has a deep passion to the world of art and a keen eye on detail, and it was a great pleasure to share that special energy and learn with her.
I also had a fantastic time at the Masterpiece Fair with Private Art Education group. The tour was both educative and entertaining! In addition, it was wonderful to meet likeminded people, who enjoy enriching their lives with a touch of art."
Picture

Visited together:
The National Gallery, 
Allegory of Love.
Private Art Education gold member 

Kievan Zokaei,
"When visiting galleries together with Private Art Education, with her vast knowledge and passion, she opens new horizons and greatly broadens my outlook towards arts. Personally, I cherish the opportunity and consider it food for soul. I highly recommend Private Art Education."

CONTACT US: 

education@privateart.co.uk
​+447500437326
Picture
© 2016 Private Art Education. All rights reserved. Company number 10459197
  • Home
  • Services
    • Join the club
    • Museums
    • Private Tuition
    • Artist Guide
  • Whats on
  • History Blog
  • Calendar
  • Membership
  • Contact
    • Contact form and quote
    • Members’ registration form
    • Vacancies
  • Amsterdam Art Weekend
  • Press
  • Gallery
✕